It's like **Disney** (for its legendary film studios, iconic franchises, and premium scripted content) merged with **Comcast/NBCUniversal** (for its vast portfolio of cable channels, news, and reality TV).

Alternatively, it's like **Netflix** (for its broad streaming ambition and content library) combined with **Paramount Global** (for its traditional film studio, networks, and diverse cable channels).

• Streaming Services: Max and Discovery+, direct-to-consumer subscription platforms offering extensive libraries of films, TV series, and original content.
• Linear Television Networks: A diverse portfolio of cable and broadcast channels, including CNN, HBO, and Discovery Channel, providing programmed entertainment, news, and sports to traditional TV subscribers.
• Film Production and Distribution: Creation, financing, and global release of feature films through labels like Warner Bros. Pictures for theatrical exhibition, home entertainment, and subsequent licensing.
• Television Content Production and Licensing: Development, production, and distribution of scripted and unscripted television series for their own platforms and third-party broadcasters and streamers.
• Video Games: Development and publishing of interactive entertainment software for various platforms, often leveraging popular intellectual properties from their film and television divisions.
• Live Sports Broadcasting: Acquisition and delivery of broadcast rights for major sporting events, offering live coverage and related programming across their television networks and streaming platforms.

Warner Bros. Discovery (WBD) operates a diverse media and entertainment business, selling to both other companies and individual consumers. However, a significant portion of its revenue, particularly from its Networks and Studios segments, comes from selling to other businesses.

Therefore, Warner Bros. Discovery primarily sells to other companies. Its major customers include:

• Cable, Satellite, and Virtual Multichannel Video Programming Distributors (MVPDs): These companies pay WBD significant affiliate fees to carry its portfolio of linear television channels (e.g., CNN, TNT, TBS, Discovery Channel, HGTV) to their subscribers.
  • Comcast Corporation (CMCSA)
  • Charter Communications, Inc. (CHTR)
  • Alphabet Inc. (GOOGL) (for YouTube TV)
• Content Licensing Partners: Other streaming services and international broadcasters license WBD's extensive library of films and television series for their own platforms.
  • Netflix, Inc. (NFLX)
  • Amazon.com, Inc. (AMZN) (for Prime Video content licensing)
• Advertisers: Major brands and their advertising agencies purchase ad inventory across WBD's linear television networks and its ad-supported streaming platforms (such as Max with ads and Discovery+ with ads). While this involves a vast number of individual companies, collectively they represent a critical business-to-business customer segment. (Due to the sheer number and changing nature of specific advertisers, individual public companies are not listed here, but they represent a major customer category for WBD).

• Amazon.com, Inc. (AMZN)
• Alphabet Inc. (GOOGL)
• Akamai Technologies, Inc. (AKAM)
• Apple Inc. (AAPL)

David Zaslav, President and CEO

David Zaslav is the President and Chief Executive Officer of Warner Bros. Discovery, a role he assumed in April 2022 following the merger of AT&T's WarnerMedia and Discovery. He previously served as the President and CEO of Discovery, Inc. since 2006 or 2007, where he led the company to go public in 2008 and achieve Fortune 500 status in 2014. During his tenure at Discovery, he oversaw the acquisition of Scripps Networks Interactive in 2018. Prior to Discovery, Zaslav had a distinguished career at NBCUniversal, joining NBC in 1989, where he was instrumental in developing and launching CNBC and MSNBC. He began his career as an attorney.

Gunnar Wiedenfels, Chief Financial Officer

Gunnar Wiedenfels serves as the Chief Financial Officer of Warner Bros. Discovery, overseeing global financial functions and strategies. He was a key architect of Discovery's agreement with AT&T to create Warner Bros. Discovery. Wiedenfels joined Discovery, Inc. as CFO in 2017, and played a leadership role in its 2018 acquisition of Scripps Networks Interactive. Before joining Discovery, he spent seven years in executive management roles, including CFO, at ProSiebenSat.1 Media SE in Munich, Germany, where he was noted for strong shareholder value creation. He started his career at McKinsey & Co. in 2004. It has been announced that he will serve as the President and CEO of a new TV Networks spin-off company once WBD splits, expected in mid-2026.

JB Perrette, CEO and President, Global Streaming and Games

JB Perrette is the CEO and President of Global Streaming and Games for Warner Bros. Discovery, a role in which he is spearheading the global rollout of the Max streaming platform and overseeing the company's gaming and interactive entertainment business. Before joining Discovery, Inc. in 2011 as Chief Digital Officer, Perrette spent 11 years with NBCUniversal, where he was President, Digital and Affiliate Distribution, and played a significant role in creating and developing Hulu, including serving on its Board for several years.

Bruce Campbell, Chief Revenue and Strategy Officer

Bruce Campbell is the Chief Revenue and Strategy Officer at Warner Bros. Discovery. His responsibilities include US advertising sales, distribution revenue and content licensing, global corporate development and strategy, global streaming platform agreements, and legal affairs. Campbell is a veteran of Discovery and was a co-founder of Hulu. He previously served as Discovery's Chief Development, Distribution and Legal Officer.

Kathleen Finch, Chairman and Chief Content Officer, US Networks Group

Kathleen Finch serves as the Chairman and Chief Content Officer of the US Networks Group at Warner Bros. Discovery, overseeing over 40 US networks. She is scheduled to retire at the end of 2024. Finch began her career as a journalist, spending 12 years as a CBS Network News producer. She joined Scripps Networks in 1999, starting at the Food Network, and held various leadership positions including President of HGTV, DIY Network, and Great American Country. Following Discovery's acquisition of Scripps Networks, she served as Chief Lifestyle Brands Officer for Discovery. Finch is recognized for developing popular unscripted franchises such as "Fixer Upper" and "Property Brothers."

• Rapid Advancement and Adoption of Generative AI: The accelerating development and integration of generative artificial intelligence across various domains, from scriptwriting and visual effects to content synthesis and deepfakes, poses a multi-faceted emerging threat. This technology could fundamentally alter the cost structures of content production, potentially enabling smaller entities to create high-quality content at lower costs, thus intensifying competition. Furthermore, the legal and ethical complexities surrounding AI-generated content, particularly regarding intellectual property ownership, copyright, and the potential for misuse or dilution of existing IP (a core asset for WBD), are largely undefined and could lead to significant legal challenges and devaluation of traditional content libraries. The recent Hollywood strikes highlighted the industry's serious concerns about AI's impact on creative talent and job security, indicating a looming disruption to established production models.
• Accelerated Growth of Free Ad-Supported Streaming Television (FAST) and its Impact on Ad Revenue: While ad-supported streaming is not new, the exponential growth and increasing sophistication of dedicated Free Ad-Supported Streaming Television (FAST) platforms (e.g., Pluto TV, Tubi, The Roku Channel, Freevee) represent a clear emerging threat. These services offer extensive libraries of content at no subscription cost, attracting a significant and growing audience and, consequently, a larger share of advertising budgets. This trend poses a dual challenge for WBD: it intensifies competition for advertising dollars, potentially diverting revenue from WBD's linear TV networks (which still contribute substantially to its bottom line) and its ad-supported tiers on Max and Discovery+. As consumers increasingly gravitate towards free options, it could also exert downward pressure on subscription pricing and perceived value for premium ad-supported or ad-free streaming services, impacting WBD's direct-to-consumer profitability and subscriber acquisition strategies.

Warner Bros. Discovery (WBD) operates across several key segments, including streaming services, linear television networks, film production and distribution, gaming, and sports broadcasting. The addressable markets for these main products and services vary significantly by region and type.

Streaming Services (Max, Discovery+)

• The global video streaming market was estimated at approximately USD 674.25 billion in 2024 and is projected to grow to USD 2,660.88 billion by 2032, exhibiting a Compound Annual Growth Rate (CAGR) of 18.5% during the forecast period. North America accounted for the largest revenue share in this market, holding 38.36% in 2024.
• Another estimate places the global video streaming market size at USD 129.26 billion in 2024, with a projection to reach USD 416.8 billion by 2030 at a CAGR of 21.5% from 2025 to 2030.
• The global online TV streaming service market was valued at $280.1 billion in 2023 and is projected to reach $1,391.3 billion by 2033, growing at a CAGR of 17.5% from 2024 to 2033.

Linear TV Networks (e.g., HBO, TNT, Discovery Channel, CNN)

• Global linear TV advertising spending is estimated to be around USD 143.9 billion in 2025, with projections indicating a further drop to USD 139.1 billion in 2026.
• Conversely, the global television advertising market size (which includes linear TV but also potentially connected TV/OTT advertising as some sources define "TV advertising" broadly) is calculated at USD 255.79 billion in 2025 and is forecasted to reach USD 368.83 billion by 2034, growing at a CAGR of 4.15% from 2025 to 2034. North America's market size for television advertising surpassed USD 81.05 billion in 2024.

Film Production and Distribution (Warner Bros. Pictures)

• The global movie production and distribution market size was estimated at USD 130.0 billion in 2024.
• Another estimate places the global market for movie production & distribution at US$ 82.53 billion in 2024, projected to increase to US$ 182.92 billion by 2034, with a CAGR of 8.2%.
• The movie production market size is forecast to increase by USD 90.4 billion, at a CAGR of 14.6% between 2024 and 2029.
• Global box office revenue is projected to surpass USD 34 billion in 2025.

Gaming (Warner Bros. Games)

• The global video game market generated a revenue of USD 298.98 billion in 2024 and is expected to reach USD 600.74 billion by 2030, growing at a CAGR of 12.2% from 2025 to 2030. North America accounted for 23.2% of the global video game market in 2024.
• Another report states the global gaming market size was valued at USD 241.1 billion in 2024 and is expected to reach USD 535.29 billion by 2033, exhibiting a CAGR of 8.30% during 2025-2033. Asia-Pacific dominated this market, holding over 49.5% in 2024.
• The global video game market size is estimated at USD 289.73 billion in 2025 and is forecast to reach USD 531.77 billion by 2030, delivering a 12.91% CAGR during the period.

Sports Broadcasting Rights (TNT Sports, Eurosport)

• US TV and streaming sports media rights payments are estimated to total $29.25 billion in 2025, representing over half of the global total.
• The global sports broadcasting technology market size was estimated at USD 79.85 billion in 2024 and is expected to reach approximately USD 146.27 billion by 2034, expanding at a CAGR of 6.24% from 2025 to 2034. The North America market size for sports broadcasting technology was estimated at USD 29.54 billion in 2024.
• The global sports streaming platform market size is expected to reach $72.29 billion by 2031, rising at a market growth of 12.2% CAGR. In 2023, North America garnered a 34% revenue share in this market.

Warner Bros. Discovery (WBD) is expected to drive future revenue growth over the next 2-3 years through several key initiatives:

1. Global Streaming Subscriber Growth and International Expansion of Max: The company anticipates significant growth in its streaming segment, particularly with the continued international expansion of HBO Max. Management projects 2026 to be a major year for HBO Max growth and aims to reach at least 150 million global streaming subscribers by the end of 2026. This expansion includes new market launches in Europe, EMEA, and APAC. Additionally, strategies such as password sharing crackdowns and recent U.S. price increases are expected to boost HBO Max's distribution revenue.
2. Strong Studio Performance and Content Pipeline: WBD's studios, encompassing film, television, and games, are slated as a significant revenue driver. The company achieved a leading position at the box office, surpassing $4 billion in 2025 revenue. Future growth is expected from strategic content initiatives, including new DC Studios projects like "Lanterns" in early 2026 and "Supergirl" and "Clayface" in the summer and fall of 2026. The studio segment is expected to exceed $2.4 billion in EBITDA in 2025, with a target of $3 billion.
3. Growth in Streaming Advertising Revenue and Monetization: Expanding ad-lite subscriptions within its streaming services are contributing to advertising revenue growth. The company forecasts 23% year-over-year growth in streaming advertising revenues for the current year, with continued expansion at a compound annual growth rate exceeding 11% through 2030. Improved monetization of its profitable domestic cohort through ad-lite subscriptions is a key focus.
4. Strategic Restructuring for Optimized Growth: Warner Bros. Discovery is proceeding with plans to split into two distinct companies by 2026: Streaming & Studios and Global Linear Networks. This strategic separation is intended to enhance clarity and focus, allowing the Streaming & Studios division to concentrate on driving growth and strong returns, while maximizing profitability from both segments. This move aims to unlock shareholder value and position the company more effectively for evolving industry trends.

Share Issuance

• On April 8, 2022, Warner Bros. Discovery issued 1.7 billion shares of common stock as consideration for the acquisition of WarnerMedia.
• Shares outstanding significantly increased by 192.17% in 2022, reaching 1.94 billion, a direct result of the merger with WarnerMedia.
• The number of shares outstanding continued to rise, reaching 2.436 billion in 2023 (a 25.57% increase from 2022) and 2.45 billion in 2024 (a 0.57% increase from 2023).

Inbound Investments

• In late 2025, Warner Bros. Discovery initiated a review of strategic alternatives after receiving unsolicited interest from multiple parties regarding a potential acquisition of the entire company or its Warner Bros. business.
• Paramount Skydance reportedly made an initial offer of $20 per share for WBD, which was rejected, and a subsequent $23.50/share bid was also rejected, though discussions remain ongoing with potential private equity backing.
• Other major companies, including Comcast, Netflix, Apple, and Amazon, have also expressed interest in a potential acquisition of Warner Bros. Discovery.

Capital Expenditures

• Warner Bros. Discovery's capital expenditures were $1.316 billion in 2023, $987 million in 2022, and $948 million in 2024.
• The company's capital expenditures for the latest twelve months amounted to $1.033 billion.
• For 2025, expected capital expenditures are projected to be $1,095 million, primarily focused on investments in the global streaming platform Max and positioning its studios for industry leadership.